Tokyo metropolis. Both in hospital rooms and on the neon streets, beautiful young Japanese girls are photographed in plastercasts and bandages, victims of unknown traumas. These are the "broken dolls" of Romain Slocombe's Tokyo, a city seething with undercurrents of violent fantasy, fetishism and bondage. City of the Broken Dolls is a provocative photographic document of the gi...(展开全部)

Tokyo metropolis. Both in hospital rooms and on the neon streets, beautiful young Japanese girls are photographed in plastercasts and bandages, victims of unknown traumas. These are the "broken dolls" of Romain Slocombe's Tokyo, a city seething with undercurrents of violent fantasy, fetishism and bondage. City of the Broken Dolls is a provocative photographic document of the gi...(展开全部)

Its three protagonists--Anne Welles, the uptight-but-full-of-a-strange-yearning New England beauty; Neely O'Hara, the Judy Garland á clef; and Jennifer North, who is sort of the Marilyn Monroe á clef and also sort of the Brigitte Bardot á clef but mainly sort of the least realized character in the book--all spend most of the novel with what they want excruciatingly just o...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

Empowerment, liberation, choice. Once the watchwords of feminism, these terms have now been co-opted by a society that sells women an airbrushed, highly sexualised and increasingly narrow vision of femininity. While the opportunities available to women may have expanded, the ambitions of many young girls are in reality limited by a culture that sees women's sexual allure as the...(展开全部)

The 'City of God' or the 'City of Man'? This is the choice St. Augustine offered 1500 years ago - and according to Pierre Manent the modern West has decisively and irreversibly chosen the latter. In this subtle and wide-ranging book on the Western intellectual and political condition, Manent argues that the West has rejected the laws of God and of nature in a quest for human au...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

爱德华多·门多萨，西班牙当代最重要的小说家之一。1943年出生于巴塞罗那，1973年以译员身份前往纽约联合国总部工作。1975年发表处女作《萨沃达兵工厂一案的真相》，后被誉为见证西班牙民主变革的力作。完成于1986年的代表作《奇迹之城》（又译《奇闻迭出的城市》）奠定了作者西班牙顶尖小说家的文学地位。门多萨的小说作品还包括：《地下室的奥秘》（1979）、《橄榄迷宫》（1982）、《耸人听闻的岛屿》（1989）、《洪荒之年》（1992）等，另有剧作若干。门多萨现居巴塞罗那。